Audio Engineer; Theater

At Zach, we believe in the power of light—to illuminate new ideas, spark imagination, and bring people together. As Austin's leading professional producing theater, we create vibrant, intimate theater experiences that engage, inspire, and connect our community. The Audio Engineer is responsible for the mixing, engineering, installation and implementation of all live and recorded sound elements for Main Stage performances at Zach Theater, including the installation for Education performances and Rentals & Events.

• Program and operate the audio console and all related equipment for onstage rehearsals, previews, performances, and rental events. This includes managing wireless communication systems, wireless microphone systems, and mixing live bands for musical while ensuring all work aligns with Zach’s Artistic and Production standards
• Assist in the load‑in, setup, operation, and testing of audio equipment
• Assist the Resident Sound Designer and Manager of Audio in completing work notes
• Operate as Audio Crew Leader during performance calls when the Manager of Audio is not present
• Interpret and execute system designs from prepared drawings and other relevant production paperwork
• Safely rig speaker positions, pipes, and hanging points from height in coordination with the Manager of Audio and the Stage Operations Supervisor
• Complete regular maintenance of audio equipment
• Assist in the setup and content capture of all production recording sessions
• Perform all show duties under the guidance of the Manager of Audio in conjunction with the Stage Operations Supervisor
• Coordinate and communicate needs with Music, Wardrobe/Wigs, Hair & Makeup, Stage Management, Lighting, and other relevant departments and external designers and overhires as directed by the Manager of Audio
• Attend rehearsals, tech rehearsals, and performances as required
• Attend and participates in production meetings, departmental meetings, and full company meetings as required
• Provide regular updates to the Manager of Audio on all areas of responsibility
• Must be available to work performance runs including nights, weekends, and some holidays
• Perform other duties as assigned in support of production needs and departmental goals

• At least three years of experience in professional live audio production (Required) OR at least two years of experience in professional live audio production and a Bachelor’s Degree in related field or equivalent professional experience (Preferred)
• At least two years of experience with Yamaha digital audio console (Preferred)

• Extensive experience mixing, engineering, and implementing sound elements for large-scale live theatrical productions, preferably with Yamaha family digital audio consoles
• Experience operating, programming, and troubleshooting digital audio consoles, wireless microphone systems, and backstage communication systems
• Experience operating, maintaining, and troubleshooting video systems (pit camera, backstage video monitors)
• Experience with cue playback systems (Qlab)
• Knowledge of Dante software, hardware and IP protocols
• Experience with multi‑track recording
• Knowledge of proper equipment uses and limits
• Knowledge of video projection software and MIDI cued processes
• Aptitude for and knowledge of electrical, electronic, and mechanical systems
• Skilled in using basic hand and power tools
• Knowledgeable about safety regulations and best practices
• Comfortable working within a rigorous production schedule
• Capable of working independently and collaboratively
• Open to learning and adapting to new situations
• Strong at setting priorities and managing workload
• Communicates clearly in both oral and written form
• Works effectively with individuals at all levels of the organization
• Demonstrates creative problem‑solving and troubleshooting skills
• Performs well under pressure and in fast‑paced environments
• Ability to perform all work with a direct reflection of the vision, mission, and values of Zach Theater

This is a campus‑based, on‑site role. The physical demands described here are representative of those that must be met by an employee…