VFX Artist; Bellevue
Listed on 2026-07-01
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Creative Arts/Media
Video Game -
Entertainment & Gaming
Video Game
VFX Artist Opportunity At KOMODO
KOMODO is a 100% privately-owned company that has published over 120 games globally. We are now building our first fully in-house title, a competitive PVP action game focused on modernizing the shoot 'em up genre. Alongside this, we continue to expand Steam Deck sales across Asia, including the introduction of new Steam and other gaming hardware.
Supported by experienced mentors from across the industry, we are building a small and powerful team where every individual has the freedom and creative agency to make a meaningful impact. This is an opportunity to join at an early stage, where your work will directly influence core gameplay, visual identity, and overall player experience.
If you're looking for a role where your ideas matter, your contributions are visible, and you can help build something from the ground up, KOMODO offers a rare opportunity to do exactly that!
The OpportunityKOMODO is seeking a VFX Artist to define the visual identity of Nanos, the codename for a competitive PvP game built in Unreal Engine.
You will create high-quality, stylized real-time visual effects that enhance gameplay, communicate impact, and bring clarity to fast-paced action. This includes crafting particle systems, materials, and visual feedback that make abilities feel responsive, readable, and satisfying.
Your focus will be on creating effects that are both visually striking and performant, with a strong emphasis on timing, motion, color, and shape language. You will work closely with designers, artists, and engineers to ensure VFX supports gameplay clarity and elevates the overall player experience.
The ideal candidate has a strong artistic eye and a passion for real-time effects, with the ability to balance visual quality and performance. You enjoy collaborating across disciplines and take pride in creating effects that not only look great, but also enhance how the game feels to play.
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