Public Relations Intern

Backstage. All black. Seven shows in seven days. Fast feet required.

Uberliss is the pro bond + keratin + color brand behind the hair at some of the sharpest shows on the Spring/Summer '27 calendar. This September our lead stylists are running the hair stations at Libertine, Grace Ling, Eckhaus Latta, AKNVAS, Sandy Liang, Show Pony and 6397. Our PR team, Dylan and Jordana, is running the press side of all seven.

They need a runner: the person who makes sure the right kit, the right editor, and the right photo are in the right place at the right minute, so they can stay focused on the story.

You won't be leading PR. You'll be the reason PR works.

Dylan and Jordana, Uberliss PR. They set the plan, own the media relationships, and make every call. You execute, anticipate, and close loops. Coryn Finn (Director of PR & Celebrity Partnerships) oversees the slate. If you're ever unsure what to do: ask Dylan or Jordana, then move.

Before the shows (Sept 1–8)

• Help Dylan and Jordana build the backstage-beauty media list: research bylines, pull contacts, tier editors the way they tell you to. Verify every name is actually covering hair this season.
• Pull first drafts of the look-breakdown one-pagers for Jordana to edit: product names, sizes, order of application, straight from the stylist's notes. Learn what a bond builder and a keratin smoother do to a strand — you'll be handing product to editors who ask.
• Pack and manifest the show kits with Dylan: count every brush, cape, sticker, mirror decal, bottle. Label boxes by show. Track what ships to which stylist and what stays as backup. Yes, this means counting brushes twice.
• Print and cut: talking-points cards, station cards, credential lists, run-of-show sheets. Laminate what will get wet.
• Confirm backstage credentials by name with each show producer; chase the ones that don't come back.

• First in. Arrive at load-in with the kit, before the hair team. Set stations: product label-out, station cards up, mirror decals on, tools laid out the way the lead stylist wants them.
• Restock all day. When a bottle drops below a third, replace it before anyone asks. Backup kit on your shoulder, not in the car.
• Runs. Coffee for the hair team at 6 a.m. Extra pins from the drugstore two blocks over. The forgotten cape from the hotel. The steamer that needs a new outlet. If it's needed backstage and it isn't there, you're already on the way.
• Escort. When Dylan or Jordana bring an editor to the lead stylist, you've already cleared the path, cued the stylist, and have the right product in hand for the photo. When the interview ends, you log it (name, outlet, asks, contact) so the team never has to.
• Shot list. Shadow the photographer with the list Dylan gives you: product in frame at the station, hands-in-hair, finished look, lead stylist portrait. Tick each off as it's captured. Flag anything missing before breakdown — there are no reshoots.
• Credit-line check. Before doors, walk to the show's PR desk and confirm  Hair by ___ for Uberliss  is in the show notes. Report back to Jordana. This is where credits quietly vanish; you're the last line.
• Gifting. Hand out the stylist, model, and assistant gift kits Dylan assigns, log who got what, collect handles for follow-up.
• Breakdown. Pack out every station, count the kit back against the manifest, note what's low for the next show, get it to the van or hotel. Last out.
• Between shows: restock from backup inventory, re-print anything dirty or lost, prep tomorrow's boxes. Some days have two shows. Plan your route.

• Press sweep under Jordana's direction: find every clip, log outlet, link, reach, and class in the tracker.
• Draft thank-you notes for…