Post Production & Delivery Lead Job Seattle area,Washington USA,Creative Arts/Media

Summary

Reality Labs Entertainment Video Production (RVP) develops, produces, and delivers video content across a fast-growing, ever-evolving slate — spanning immersive, 3D, and traditional formats. We’re hiring a Head of Post-Production & Delivery to own the post and delivery engine that every title flows through. Post here is involved from development through final delivery, not as a downstream phase: this role leads the post-production process with our post-production partners, coordinates deliveries, ensures content meets technical specs and best practices, and keeps asset tracking and cross‑functional communication clean.

Our producers own their projects and partner relationships; this role makes sure the post‑production and delivery pipelines run clean across the slate in support of those producers — and raises the quality bar as we scale. This is a senior, hands‑on leadership role for someone who has built and tightened post‑production systems at scale, can look around corners in a fast‑moving environment, understands the full landscape of traditional, immersive, and stereoscopic 3D post, and is comfortable directing a roster of external vendors and contractors through ambiguous, ever‑changing, high‑throughput work.

You’ll build the documented, repeatable, scalable systems a growing slate depends on.

Required Skills Post Production & Delivery Lead Responsibilities

Own the post & delivery pipeline, end‑to‑end. Own how every title moves from turnover through finishing, QC, and final delivery to platform(s) / surface(s) — across 3D conversions, native 3D productions, immersive originals, and live sports.

Tighten the systems. Define and harden the post‑production operating system: delivery specs and acceptance criteria, the producer‑driven media‑review process, closed‑captioning / localization standards, asset management and naming conventions, status tracking, workflow automation, and the development of durable, self‑serve standards.

Lead the vendor & contractor org. Source, scope, onboard, and hold accountable a roster of external post partners (conversion houses, finishing / DI, stereo, color, sound) and contract post producers, editors, and coordinators.

Be the quality gate. Own the quality bar and acceptance criteria.

Serve as the last line of defense on technical spec and craft before content ships — and help write those standards into how the broader slate operates as volume scales.

Look around corners. Anticipate capacity, throughput, and risk ahead of demand such as plan pipeline scaling, vendor concentration / contingency, and tooling investment before they become blockers.

Partner cross‑functionally. Work shoulder‑to‑shoulder with producers (project owners), physical production, production finance, technical production, programming, marketing, and external studios / partners enforcing specs and timelines while keeping communication tight.

Operate across formats. Bring fluency across traditional post, immersive (stereoscopic VR180, mixed reality) and stereoscopic 3D post + conversion and keep current with the tools, specs, and platform realities as they evolve.

Minimum Qualifications

12+ years of post‑production experience across scripted, unscripted, and/or live events, including senior leadership (Post Production Supervisor / Post Producer / Head‑of‑Post or equivalent) running multiple concurrent projects from development through delivery.

Experience with digital asset management systems, media encoding technologies, and post production software ecosystems.

Proven track record building and tightening post‑production and delivery systems at scale including delivery specs, QC and acceptance standards, media asset management, naming conventions, and workflow automation — not just running shows.

Demonstrated experience leading external vendors and contractors (not only internal staff) to high‑quality, on‑spec, on‑time delivery in fast‑paced, ambiguous, ever‑changing environments.

Deep technical fluency: video/audio codecs, transcoding to spec, high‑resolution content (4K–8K+), HDR / Dolby Vision, spatial / Dolby Atmos audio, professional camera formats, and editorial / online / grade / sound…