Front of House Audio Engineer – MBC Tysons

Each weekend, more than 4,500 people attend two services, making clear and consistent audio essential to a distraction‑free worship experience. The Audio Engineer helps create an environment where people can encounter God, while providing confidence to worship leaders and other church leaders through excellent FOH and in‑ear mixes. In a diverse worship context—spanning contemporary, gospel‑influenced, orchestral and acoustic sets—this role translates vision into a consistent sonic experience that welcomes first‑time guests and longtime members alike.

By balancing artistry with technical discipline, the Audio Engineer protects intelligibility, manages dynamics, and ensures a comfortable, engaging environment where the congregation can sing, listen, and respond.

Within the Production Team, the Audio Engineer is a systems builder, a culture carrier, and a collaborator. You’ll architect reliable workflows, develop and mentor volunteers through tiered training, and partner closely with the Production Team to keep gatherings seamless end‑to‑end. Your fingerprints are on every moment that requires poise under pressure—changeovers, mic handoffs, transition cues—anchoring the team with preparation, documentation, and calm problem‑solving.

By stewarding equipment, standardizing SOPs, and monitoring FOH/IEM quality, you support a ministry where the message stays front and center and the mechanics remain unseen.

• Deliver consistent, musical mixes across contemporary, gospel‑influenced, orchestral, and acoustic sets; prioritize vocal clarity and congregational singability.
• Maintain dynamics that support participation during high‑energy moments and spoken‑word segments.
• Build and maintain scene/snapshot libraries for worship, transitions, and teaching; implement safe filters for pastor mics and video elements.
• Execute virtual soundcheck to refine balances, EQ, compression, and FX without consuming band rehearsal time; document before/after changes.

• Create consistent, low‑latency IEM mixes using per‑artist templates, stereo imaging, and ambience mics; manage click/track levels and MD talkback routing.
• Lead rapid line checks and musician‑first IEM setup (presetting mixes before rehearsals).
• Keep a clean, predictable workflow for quick troubleshooting.
• Train worship leaders and volunteers how to achieve the best possible in‑ear mix.

• Midweek and Special Events – Provide scalable audio support for students, young adults, prayer nights, conferences, and off‑site events; adapt input lists and PA as needed.
• Train ministry leads on simple setups; offer quick‑start kits with diagrams and checklists.
• Multi‑Location/Portable Scenarios – Prepare show files, PA, and RF plans for portability; standardize labeling and color‑coding for fast deployment.

• Oversee patching, input lists, gain structure, scene/snapshot management, and virtual soundcheck.
• Own RF coordination (urban spectrum) and IEM frequency planning; monitor and mitigate interference.
• Maintain consoles, DSP, PA tuning, and Dante network health; document show files and change control.

• Recruit, onboard, schedule, and coach volunteer FOH and Monitor Engineers; create tiered competency paths.
• Develop training content (playbooks, videos, checklists); run quarterly bootcamps and shadowing rotations.
• Foster a calm, solution‑first culture; give timely, pastoral feedback.

• Manage inventory, repairs, rentals, and vendor relationships; recommend upgrades with cost/benefit rationale.
• Prepare stage plots, input lists, and run sheets (e.g., Planning Center); archive multitracks/stems.
• Track metrics, incidents, and improvements; report to Production Director.

• Three or more years of experience as an Audio Engineer.
• Bachelor’s degree in related field or equivalent experience preferred.
• Prior church experience desired.

• Vibrant, personal relationship with Jesus as Lord and Savior and a commitment to godly character and self‑discipline in personal lifestyle.
• Organized and…